"armenian monochrome iii"
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30 x 30 in.
paints ground by hand using armenian pigment, oil, alkyd-based medium, wax, and mineral spirits/paint thinner
armenian crimson ocher (primary pigment used in this painting) is a semi-transparent deep red with purplish-pink undertones. this crimson ocher pigment is a red iron oxide earth from quarries in the lori province of northern armenia
more information about the pigment and my process here
canvas stretched and primed by hand
i used 2.5 in. deep kiln-dried pine stretcher bars, reinforced w cross bracing, and 15 oz. cotton duck canvas
then primed with archival titanium white latex-polymer ground
armenian pigment, oil, and charcoal on cotton-duck canvas
** portion of the profits from the sale of this painting directly supports the hamazkayin armenian educational & cultural society **
SCROLL/SEE MORE INFO BELOW
30 x 30 in.
paints ground by hand using armenian pigment, oil, alkyd-based medium, wax, and mineral spirits/paint thinner
armenian crimson ocher (primary pigment used in this painting) is a semi-transparent deep red with purplish-pink undertones. this crimson ocher pigment is a red iron oxide earth from quarries in the lori province of northern armenia
more information about the pigment and my process here
canvas stretched and primed by hand
i used 2.5 in. deep kiln-dried pine stretcher bars, reinforced w cross bracing, and 15 oz. cotton duck canvas
then primed with archival titanium white latex-polymer ground
armenian pigment, oil, and charcoal on cotton-duck canvas
** portion of the profits from the sale of this painting directly supports the hamazkayin armenian educational & cultural society **
SCROLL/SEE MORE INFO BELOW
30 x 30 in.
paints ground by hand using armenian pigment, oil, alkyd-based medium, wax, and mineral spirits/paint thinner
armenian crimson ocher (primary pigment used in this painting) is a semi-transparent deep red with purplish-pink undertones. this crimson ocher pigment is a red iron oxide earth from quarries in the lori province of northern armenia
more information about the pigment and my process here
canvas stretched and primed by hand
i used 2.5 in. deep kiln-dried pine stretcher bars, reinforced w cross bracing, and 15 oz. cotton duck canvas
then primed with archival titanium white latex-polymer ground
armenian pigment, oil, and charcoal on cotton-duck canvas
** portion of the profits from the sale of this painting directly supports the hamazkayin armenian educational & cultural society **